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十日谈 (1971) 电影
7.0分 获柏林电影节评审团大奖。影片取材于意大利文艺复兴时期薄伽丘的著名小说集《十日谈》，帕索里尼从中挑选了8个（亦有说10个）发生在那不勒斯等意大利南部地区的故事进行拍摄（原著中以佛罗伦萨地区故事为主），这些故事大多以揭露教会虚伪丑恶本质为宗旨，并鲜明地表现了作者对人性解放的肯定态度。 原著《十日谈》是意大利文艺复兴时期最重要的文学作品之一，它以十四世纪黑死病横行的时期为背景，通过十位青年所讲述的一百个故事，大胆鞭挞了当时天主教会的种种丑行，表现出平民阶层追求自由、摆脱宗教束缚的渴望。这部现实主义风格明显的作品堪称欧洲古典文学的杰作，被后人誉为和但丁《神曲》齐名的 人曲。 意大利新现实主义影片后期崛起的导演帕索里尼，延续了自己六十年代以古代神话题材警醒当今世人的创作路线，以相对通俗化的手法连续改编拍摄了《十日谈》、《坎特伯雷故事》和《一千零一夜》三部古典名著影片，合称生命三部曲。因为这三部影片中裸露镜头较多，又采用了较为通俗的娱乐片路线，有的电影学者也称之为帕索里尼的色情三部曲。对此帕索里尼本人阐述了自己的创作观点：我向观众表现的是整个世界，封建的世界，在这个世界里，情欲极其深刻而狂热地起着支配一切的作用。……我要推出这个世界并且说：你们可以比较一下，我要向你们表明，我要向你们诉说，我要向你们提醒。
A city PR girl goes on the run accused of leaking information from the military supply company where she works. Chased by ex-soldiers she hides with her brother, a member of a shadowy hacker group, and has to choose between her luxury life - and the Redistributors.
Ten years after a tidal wave destroys a small-town elementary school with all the children inside, a young man builds a mysterious structure out of the school's remains, setting the town aflame with passions long forgotten.
The story is about Urvil Raisingh and Celina who meet at an event and a memorable night later. Returning back home they continue with their lives. The memories of Celina haunt Urvil. What happens next forms the crux of the unfolding drama. One Night STand explores the hypocritical world we live in. What is it that Urvil wants…
在被德国占领的波兰，年轻一代长大了。Stach就是其中一个，他和朋友们起初只是自发地从事危险的抵抗活动，总的来说是无组织无目的。后来在一个慈祥的共产党干部的带领下，他接触到了地下组织。当看到那个勇敢美丽的青年领袖Dorota时，他就加入了进去并与Dorota坠入爱河。接着Stach就投入反抗压迫和屈辱的危险活动中，直到要对其他人的生命负责时他就变成熟了。不幸的是Dorota被逮捕，Stach悲痛欲绝。与此同时，地下抵抗组织招募了新成员，新的一代正在成长。
Procida, a little Island in the gulf of Naples. Last days of summer. The adolescence of Domenico is coming to an end, just like his tormented relationship with Marcello. Domenico looks for hospitality at Antonios house, his best friend, but soon he finds himself alone with the thirteen years old Antonios brother Lallo. A journey of discovery starts, between adolescence and maturity. The meeting with Sara, a transsexual woman, will bring to light the desires of the two young boys.
尼基（威尔·史密斯 Will Smith 饰）是一位经验非常丰富的诈骗犯，和他搭档的是名叫杰斯（玛歌特·罗比 Margot Robbie 饰）的女扒手，两人在专业知识上互通有无，彼此之间结下了深厚的友谊。当他们之间的感情逐渐突破了单纯和合作关系后，尼基为了保全自己的事业，毅然决然的甩掉了杰斯。 一晃眼多年过去，尼基和杰斯在布宜诺斯艾利斯重逢了。原来，杰斯在尼基离开她之后并没有一蹶不振，而是在行当里不断的精进打磨，时至今日，她已经是一位技巧非常高超的女飞贼了。尼基原本的精心策划的行骗计划，因为杰斯的出现而变得险象环生。
It follows four American soldiers set out on the grueling ascent of an Italian mountainside in the closing days of WWII, haunted by their evil sergeant’s cold-blooded murder of a young woman and with an old Italian man of uncertain loyalties as their guide. 电影讲述四名美国士兵在二战最后几天，在意大利山腰的艰苦攀登中，被一名邪恶冷血的军官捕获，后来得到一位意志不明的忠心耿耿的老人作为他们的引路人。
The film is a unique social comedy based in a small town of Uttar Pradesh directed by Hansal Mehta.
影片根据导演布莱克周遭的真实故事改编，此前曾改编为一部同名短片。影片描绘曼德薇饰演的年轻母亲，努力拯救她14岁的儿子，使其脱离全国性的毒品销售企业。迪金森则饰演一个专门利用脆弱少年，并将他们带到英国县界的帮派招募人员。
由加拿大和印度合拍的影片《寻子记》，讲述了以修理拉锁为生的主人公莫亨德拉，在得知在外工作的12岁儿子西达尔特失踪后，凭借着一点点线索开始横跨整个印度寻找儿子的故事。虽然西达尔特一直音讯全无，但一家人仍一边祈祷，一边重拾生活的希望。 本片由加拿大导演瑞奇-梅塔执导，他曾指导的电影《遗产风波》，获得了30多个国际奖项，包括加拿大吉尼奖的最佳电影、最佳导演和最佳编剧提名。本片的制片人史蒂芬-布雷、大卫-米勒也是电影《遗产风波》的制作人。影片还邀请了亚洲著名影星坦尼沙-查特里作为女主角，她在《砖块街》(2007)中的精彩表演，获得了英国独立电影奖最佳女主角提名，赢得2007年孟加拉电影记者协会最佳女演员奖项。该片由Poor Man’s Production出品。
印度人民将猴子当成神灵，终成祸患。青年安贾尼在姐夫的帮助 下，找到了一份公务员的工作，工作内容是模仿“咿嘞呜”的叫 声来吓跑猴子。这份工作打击了他的尊严和勇气，令他非常不满， 却因自身能力欠缺而无可奈何。他决定装扮成叶猴──猴子的天 敌──来对付猴子，令猴子们纷纷逃窜。可是经历连串事件之后， 他却发现自己像猴子一样被驱逐。这是一部讽刺意味十足的影片， 将猴子的威胁、承包商的腐败，与安贾尼的工作经历融为一体， 折射出对当局者及其所颁布的政策的讽刺。
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its Tangled web of trees sTanding in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
In small czech town named Jilemnice live unfortunate, but brave and jovial woman Štěpa Kiliánová, whose only desire was to fill the void in her virgin life. In despair and excessive trust, she married a sardonic, reclusive man, former lieutenant and gambler Pavel Malina, whose only wish was finally found peace and forgetting the past. They lived through unrequited love, dislike and disappointment. But no one knew that her groom begin to show signs of cerebral disease, which in the coming years engulf his sanity.
一位名叫托拉尼 (Torranee) 的护林员卷入一伙非法走私者时，导致他和他交往了七年多的男朋友肯（Ken）被被追了七年。他们都被逼得走投无路，从陡峭的悬崖上摔了下来。几个月后，肯醒来时没有爱人在身边。 随着岁月的流逝，事情开始变得不顺利有人出现了，而且和他以前的爱人很像。旧的记忆又回来了，现在环绕着他，而肯开始怀疑Torranee没有死而他可能就是那个人......
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