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ImSchattenderTräume|InTheShadowsofDreams (2024) 电影
7.0分 In this documentary, director Martin Witz tells The story of The friendship and collaboration between Michael Jary and The homosexual songwriter Bruno Balz. In The roaring twenties and Then during The Nazi era, The two produced many hits for escapist musicals, especially for superstar Zarah Leander. Using subversive overtones, They try to destabilise Goebbels’ propaganda. Contemporary witnesses, who are eager to tell stories, take us on a brilliant journey through five decades of German film and music history that makes you want to (re)discover forgotten classics and shows how strongly music has shaped popular culture.
Yara, une jeune marocaine de 25 ans venue étudier à Paris, n'a pas quitté son domicile depuis plusieurs mois, car elle est agoraphobe depuis son enfance en raison de terribles événements familiaux. Son seul contact est avec sa grand-mère, Najiyah, par téléphone. Un soir, une mystérieuse apparition vient perturber son quotidien, et l'oblige à revivre ses pires craintes, la poussant au bord de la folie...
就在蜜月前，菅元和青木分手了。菅元决定独自踏上原定的蜜月旅程。旅程终点是一个因自杀圣地而闻名的边陲小镇，在那里，选择自杀的亡魂徘徊不去。在这个人鬼共存的混乱空间里，过去的痕迹却渐渐重迭。
讲述了职业学校学生在一家小公司获得工作经验并踏上成人人生旅程的感人故事。
Taesan and Dongju are a long-time couple. As They prepare to move, They find an old sofa on The street and bring it home. Their cramped apartment, now filled with The sofa, The couple preparing for Their move, and Their dreams, are depicted with an air of detachment. The film captures Their emotions with a unique rhythm, floating in The air.
Moon-young works as a railroad conductor in Seoul. The accidents and Their aftereffects that she witnesses as a conductor are hard to endure, and she doesn’t get along with people. One day, she receives a call from a friend and decides to visit her hometown, which she has been trying to forget. Sang-woo works as a teacher at an elementary school. He follows The traces of Moon-young who left for her hometown. There is a quiet tension that lingers throughout The film. The two stories of Moon-Young’s and Sang-woo’s journeys are two similar forms. Moreover, within this symmetrical structure, fascinating cracks of memory and illusion permeate asymmetrically, sometimes intensely, sometimes subtly, drawing us into The realm of curiosity. The Waves of Winter is a meticulous psychological drama that delves deeply into The characters’ inner selves and an illusory road movie that makes us newly aware of time and ourselves.
在香港人的眼中，長洲似乎一直保持漁鄉風貌；但長洲居民卻感受到這個小島與香港的社會經濟變化息息相關。小店「日泰小食」是居民喜愛的聚腳點，沒有血緣關係，背景、性格各不相同的人經常在店內相聚，對社會現況嘻笑怒罵，各抒己見。這是長洲日常生活的寫照，也是香港多元社會生活的縮影。但隨着老闆阿丈的身體日漸衰退，加上社會變遷，疫情和經濟走下坡，令「日泰」的經營日益困難，各人都要面對現實的抉擇。這家小店是現今香港社會的縮影，昔日「同舟人誓相隨」的意願，是否仍能日日康泰的流傳下去？
<오후 풍경>(2020)과 <밤 산책>(2023)에 이은 손구용 감독의 세 번째 장편. 공간을 음미하고 자연만물에서 시정을 발견하는 시네마틱 산책자 손구용이 이번에는 공원으로 간다. 그의 손에는 오규원의 시 [뜰의 호흡]이 들려있다. ‘오후 2시 나비가 한 마리 저공으로 날았다’로 시작하는 24행의 시가 텍스트로 떠오르는 동안, 공원에는 새 한 마리가 나무에 앉고, 구름이 해를 가리고, 고양이가 세수를 하고, 물레방아가 돌고, 분수가 솟구치고, 잉어가 연못을 가로지르고, 개미가 부지런히 제 일을 한다. 활자의 세계와 이미지의 세계가 조화롭게 합일하는 ‘이 칠십 평의 우주’는 무의미로 완전무결하다. 손구용은 최소한의 것을 반복 변주 순환시켜 연약하게 반짝이는 투명한 세계를 우리 앞에 선보인다. 텅 비어있고 동시에 충만한 산책자의 정취.
高中联考失手的小爱被妈妈安排升读名校「一女中」的夜校部，但即使与日校生共享课室和书桌，成绩上的差距却总让小爱心存距离感，自卑感油然而生。幸好共享书桌的「桌友」敏敏没有因此嫌弃，两人更成为好友，甚至一同喜欢上隔壁学校的资优男生卢克。为了方便走堂，两人经常互换校服，但小爱渐渐舍不得日校生的制服光环，更使用冒牌的一女中身份，瞒着敏敏接近卢克，巨大的谎言坑洞最终变得一发不可收拾。《最乖巧的杀人犯》导演庄景燊延续台湾校园电影浪潮，由新生代演员主演，带领观众重修青春的成长课。
8.0分 根据《BLEACH 死神》最终章改编，黑崎一护重返代理死神的岗位，曾经被封印的灭却师之王组成“看不见的帝国”。他们攻占虚圈，并向尸魂界宣战，这场千年血战即将迎来最终章！
MoTher’s household ledgers contain a lifetime of arduous years. While her memory fades as she grows older, The details of her daily life, meticulously recorded in The household ledgers for 48 years since 1969, remain as traces of her existence. Director Seong Seungtaek discovered These ledgers among his elderly parents’ belongings when They moved in togeTher after 30 years apart. Carefully examining those records, which are both precious documentation of his family history and his moTher’s intimate diary, The director creates anoTher important historical document. As MoTher’s Household Ledger gradually intertwines The family story with modern Korean history and Their shared memories, our hearts are profoundly stirred. The moTher wrote down The passage of time, and The son now illuminates The world imbued with that time.
1980년대 개인용 컴퓨터가 보급되던 시기부터 현재에 이르는 한국 PC게임의 역사를 면밀하고 재기발랄하게 기록한 <세이브 더 게임>은 박윤진 감독의 전작 <내언니전지현과 나>(2020)의 후속작이라고 볼 수 있다. 전작이 RPG 게임 ‘일랜시아’ 이용자의 애정 어린 시선과 기동성 있는 활동으로 게임 산업의 동향을 살핀다면, <세이브 더 게임>은 게임 종사자들의 증언과 사료들로 한국 게임 산업의 역사를 집중 조명한다. 1세대 게임 개발자들의 이야기를 체계적으로 구성해 나가는 가운데, 한국 게임 산업의 산증인인 그들의 소개 자막 내용에 변화를 주며 역사적 흐름을 일목요연하게 정리하는, 영리하고 세심한 다큐멘터리다.
The face of Hwanhee is The second feature film by director Lee Jeahan, who previously directed The tender and delicate debut film, Sophie’s World (2021). Composed of four chapters— House of a writer, The Visitors, To The never never land, and The face of Hwanhee—The film unfolds like a collection of short stories, and can be experienced as such. In this narrative, Hwanhee is neiTher anyone nor nobody. The four stories, which feature a student visiting a teacher, an unwelcome guest at a restaurant, a man contemplating studying abroad and his girlfriend and his moTher, and a novelist and a reader, each contain stories within stories. They traverse freely between night and day, fact and truth, narrative and image, within and outside The frame, dream and reality, actors and characters, The singular and The plural, and chance and fate, stimulating all The senses. The face of Hwanhee presents four curious adventures of Hwanhee and Hwanhee’s neighbors, where structure creates mood and mood shapes The world, making for a fascinating journey.
Junyeong works part-time at a pub while also making a documentary about laid-off workers. She is losing her confidence, wondering if she is making a film that no one will see, let alone change The world. The simple, unadorned plot amplifies its relatability in this film about film.
The film’s title says it all: The Schwörer family of eight from eastern Switzerland have been living on a sailing ship for 20 years. They traverse The world’s oceans, striving to live in harmony with nature, and give talks on land to raise awareness about The importance of water conservation. Director Livia Vonaesch has followed The parents and Their six children with her camera for several years at sea. The result is an intimate portrait of a fascinating family living The great dream of boundless freedom in a confined space. 'It takes tremendous courage to film with a camera on The high seas and in confined surroundings. It is even more impressive if you have The talent to reach for The camera precisely when The unexpected happens.
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