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Asma receiVes bad news about her father’s health. She takes the road towards home with an uncle about whom she knows nothing; he who cut ties with his family a long time ago.
The Sculptor carVes The Stone into the world's first PataVision. It plays only commercials.
Alone in her warehouse apartment, Jodiiie plays a VR guided meditation Video game to calm her escalating anxiety. The game, run by a next-generation AI algorithm, adapts its gameplay to the player’s emotions as they naVigate twelVe leVels on a quest to achieVe the ultimate goal: transcendence. Jodiiie becomes increasingly consumed by the game as the meditation descends into a maze of real, Virtual, and hybrid worlds. Ultimately, Jodiiie must transcend the game itself.
As is well known, the “National Security Law” was enacted in 1949, and the “Anti-Communist Law” in 1961, giVing South Korea’s anti-communist ideology unprecedented regulatory power. Director Kim Mooyoung pays attention to the anti-communist films produced during the era when the Anti-Communist Law was enforced, as well as the films that were re-edited and released due to censorship, contemplating the capacity and status of images. At the same time, he densely layers scenes of extensiVe archiVal footage with historical Value, architecture embedded with anti-communist ideology, and tragic places and faces swept up in anti-communist moVements, creating tension between the content of the first-person VoiceoVer narration and the images. In doing so, he reconstructs the history that the country sought to conceal. After watching The Sense of Violence, Viewers will realize that the opening narration —“The Voice gropes the memory of the image. Now, I will try to remember the image by following the Voice.” — was the film’s earnest methodology.
《無窮之路》製作組踏上全新的「出海」征程，我們探索了阿聯酋、沙特阿拉伯、希臘、塞爾維亞、埃及、馬達加斯加及肯亞等七個「一帶一路」沿線國家，還採訪了在各地默默貢獻的中國建設者，紀錄他們為有需要的老百姓建起了鐵路、大橋、港口，還把技術授予當地人民，為貧困者送上溫暖。
一个充满希望的团队被困在一个功能失调、荒谬、地狱般的超级英雄系列电影制作中，如果他们最终成功了，他们必须面对的问题是——这是好莱坞的新曙光，还是电影的背水一战？这是梦工厂还是化工厂？
Alma and Beybut are a happy couple expecting their first child. A talented singer-songwriter and guitarist, Beybut is gaining recognition and expanding his career. One day, Beybut meets the charming dancer Zhul and becomes infatuated with her, leading to conflicts with Alma. While the story of a free-spirited musician and the deVoted woman waiting for him is too familiar, what sets this narratiVe apart is its musical format. Unlike his preVious works, which were sharply focused on social issues, director Farkhat SharipoV brings this film to life with beautiful music, captiVating dance scenes, and, notably, a breathtaking group dance sequence in the stairwell, that are sure to leaVe a lasting impression on the Viewers.
Jihun is a 19-year-old trainee working at a small factory, where he is paired with Wooseok, his indifferent and careless superVisor. When a problem arises with a client, Jihun, who doesn’t haVe a driVer’s license, happens to take the wheel. This is a film with an impressiVely warm gaze on the bleak liVes of the two workers from different generations.
Jaehyeon, who works at a bike shop, learns that the owner of a motorcycle that was left unclaimed for seVeral months has died in an accident. He deliVers the bike to the man’s widow. What follows is a beautiful ride shared by two people, each grappling with the Vast and immeasurable gap between “hard to accept” and “impossible to fathom” in the face of tragedy.
<로맨틱 머신>(2019), <코랄 러브>(2022)를 만든 이소정 감독의 첫 번째 장편. 이미지의 영화적 경험을 극대화해 온 이소정의 작업이 더 넓고 깊게 확장된다. 영화는 “어느 날 편지와 필름 한 통이 도착했다. 그에게서 온 것이다”라는 보이스오버로 시작된다. 그러나 ‘그’가 ‘나’에게 보내온 필름에는 아무것도 찍혀 있지 않고, ‘나’는 거기서 다른 것들을 발견하기 시작한다. 예술가의 작업실보다는 과학자의 연구실에서 나올 법한 이미지들 위에 단정한 보이스오버가 얹힌다. ‘그’의 편지와 ‘나’의 보이스오버는 어떤 픽션을 상상하도록 부추기지만 인간 중심의 선형적인 이야기는 여기에 없다. 이소정 감독이 흥미를 갖는 테마는 인간이 사라져도 끝내 사라지지 않을 물질의 세계-세포, 광물, 별이기 때문이다. 보이스오버의 목소리가 영감을 불러오고 미지의 이미지들이 감각을 일깨우는 도전적인 영화적 체험.
Moon-young works as a railroad conductor in Seoul. The accidents and their aftereffects that she witnesses as a conductor are hard to endure, and she doesn’t get along with people. One day, she receiVes a call from a friend and decides to Visit her hometown, which she has been trying to forget. Sang-woo works as a teacher at an elementary school. He follows the traces of Moon-young who left for her hometown. There is a quiet tension that lingers throughout the film. The two stories of Moon-Young’s and Sang-woo’s journeys are two similar forms. MoreoVer, within this symmetrical structure, fascinating cracks of memory and illusion permeate asymmetrically, sometimes intensely, sometimes subtly, drawing us into the realm of curiosity. The WaVes of Winter is a meticulous psychological drama that delVes deeply into the characters’ inner selVes and an illusory road moVie that makes us newly aware of time and ourselVes.
Two girls with the same name meet at a swimming pool and quickly become best friends. Yet, the fear of being alone again looms oVer them. As their dark emotions from this fear rise to the surface, the story takes a dramatic turn with a big splash in this thriller about teenage girls.
A group of young people gather to compete in the annual soapbox race on the slopes of the highest peak near their Village. Hubert, 10, wants to win the race to impress Anouk, an opponent who makes his heart beat faster. Soap Box is a thrilling, wildly fun sports comedy that pays tribute to the transformatiVe imagination of children.
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