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搜索"Eli",共搜索到"693"个相关内容,当前第“8”
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Minnie and Moskowitz is a film by John Cassavetes, starring his wife, Gena Rowlands, and actor Seymour Cassel in the title roles of Minnie and Moskowitz, respectively.Following a www. aiyoutv.com break-up, Minnie Moore, a museum curator, becomes disillusioned by love and meaningful relationships. But after a seemingly chance encounter, she meets Seymour Moskowitz, a parking-lot attendant. After this event, Moskowitz falls in love with Minnie, trying desperately to get her to love him back.
这个男人M(马库·佩尔托拉 Markku Peltola饰)是一个失忆的流浪汉,没有名字,亦没有过去。因为失忆,他无法拥有合理的身份证明,无法找到住处和工作。一个精明的治安员把废弃的集装箱出租给流浪人士作为居所,收取租金,男人也住了进去。在这里,各种同样苦难却心地善良 的人们,为男人的生活投射进来一缕温暖的阳光。男人更是得到了救助站姑娘厄玛(卡蒂·奥廷宁 Kati Outinen饰)的热心帮助,两人的爱情也在苦难的日子中悄然萌芽。  男人似乎可以重新开始生活,却意外牵涉进一桩银行劫案。警察的追查不但让男人陷入了麻烦的境地,还让他得知自己的身世,以及自己曾经拥有的家庭。男人找到自己的妻子,却不知如何在本来已经消逝的过去和眼前的现实之间做出抉择。
《蒋能灌篮》讲述了一个亚裔美国青少年和篮球迷的故事,他想要能够灌篮,但他很快就对自己、朋友和家人有了更多的了解。
In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth).
Fifteen year-old Taylor Collins is a golf legacy. The son of a PGA veteran, the younger brother of a PGA rookie, he has all the talent in the world-but wants nothing to do with golf or the pressure of being the next in line. After Taylor purposely blows his tryout for the school team, his disappointed father takes a drive that ends in a texting-while-driving accident and lands him in a coma. Taylor blames himself and, with the guidance of his brother and the prayer support from his mother Jenny and newfound crush Bailey, makes it his mission to get back on the team and become the first freshman in state history to lead his team to a state championship. Faith, hope, and love bring Taylor and his family closer than ever and he learns that the greatest way to honor his father and his God is to embrace the gifts and talents he was given.
苏联卫国战争胜利后,军事法庭对战时曾出卖地下工作者的一女二男进行审判,并处以死刑。审判引起了回忆……  战争开始后,来不及撤出辛姆菲罗波尔市的一些著名演员利用自己的特殊身份,表面上对德国占领军曲意奉承,而暗地里却在剧院接头,散发传单,为游击队送药品。由于叛徒的告密,他们被捕了。面对着敌人的严刑拷打,他们坚贞不屈,最终惨遭杀害。
五位土耳其导演分别拍摄的五段发生在伊斯坦布尔的故事,交叉讲述,却不着痕迹,浑然一体。
吸血家族汤普森 (2012) 电影
4.0分
美国/恐怖片家庭恐怖
由Mitchell Altieri和Phil Flores执导的吸血鬼电影《汤普森一家》(The Thompsons)是2007年恐怖片《汉密尔顿一家》(The Hamiltons)的续集,也被称为《汤普森:汉密尔顿2》,由原班人马拍摄和演出。  在续集中,因为加油站遭到血洗厮杀,这家人不得不逃难到英国,并且换了个新身份,成了“汤普森一家”。他们非常渴望得到这个陌生国家的保护,因此他们深入黑暗的地下寻找传说中的吸血鬼···  不同的城市,不同的名称,同一个家庭,更大的问题!
入围第71届柏林电影节全景单元。当身无分文的年轻作家拉比迪遇到伊利莎时,他知道她就是他的真命天子。但是巴黎物价很贵。这是一部迷人的电影,结合了法国新浪潮电影的经典主题,以及关于根源、熟悉和距离的问题。
设定在1999年,以伪纪录片形式,聚焦那些看似普通、欢乐的家庭录像带中发现的可怕事件和“鬼影”。
2000年9月9日,Simsek的生活突然发生巨变 她的父亲Enver在纽伦堡连中8枪,身受重伤不治而死。警方怀疑这是一起黑帮犯罪,Enver做过毒品生意有犯罪背景。但在随后的6年里,七名土耳其人和一名希腊人在德国其他地方相继遇害,并以“烤肉谋杀案”登上报纸头条。尽管缺乏证据,警察仍然相信案件有黑社会背景。被视为犯罪嫌疑人的人员电话被窃听,公寓遭搜查,甚至接受无休止的审讯。后来有一天,Hauptkommissar Bronner来到Simsek的家,他质疑警方之前的假设,他认为所有迹象都表明,是激进的右翼分子所为,出于仇外心理。  然而Bronner的请求被拒绝,他的调查小组也在2008 年2月1日解散。许多年来Simsek的家庭尝试找出谋杀案凶手,但毫无进展。2011年11月11日她发现地下右翼恐怖组织NSU涉嫌谋杀案,贝亚特·切培(Beate Zschäpe)和已死亡的两名同犯乌韦·穆德勒斯(Uwe Mundlos)和乌韦·贝尔哈德(Uwe Böhnhardt)被起诉。
漫画やテレビアニメなど様々にメディア展開される大人気ユーザー参加型アイドルプロジェクト“ラブライブ!“の劇場版アニメーション。国立音ノ木坂学院の廃校の危機を救うため、9人の女子生徒で結成されたスクールアイドルグループ“μ’s(ミューズ)“の新たな活躍を描く。アニメの1期、2期ともに監督を務めた京極尚彦がメガホンを執る。
在汤米·贾维斯(Tommy Jarvis)把杰森炼锁在水晶湖底多年之后,一位有特异功能的年青人又不小心把杰森放了出来,杰森于是又回到了水晶湖营地重操旧业。
品特(方·基默 Val Kilmer 饰)再也没有想到的是,平凡的自己有朝一日竟然会遭到黑白两道的追杀,而整件事的始作俑者,大概就是之前在机场邂逅的神秘女子。现在他所知道的的是,自己似乎被别人误认成为了一个叫做“约翰卡特”的男子,而这名男子才是那群凶徒想要用枪指着其脑袋的家伙。  在一次又一次的逃亡中,神秘女子再次出现,她告诉品特自己的名字叫做凯瑟琳(伊莎贝拉·米珂 Izabella Miko 饰),并且希望品特能够利用约翰卡特的身份帮助他们做事。迫于情势,品特答应了凯瑟琳的要求,而在一次次惊现的动作场面后,品特明白,只有找到真正的约翰卡特,自己才有可能回归到原来的生活轨迹中去。
《圣彼得堡,我爱你》讲述了发生在一座真实且生机勃勃的城市里的七段故事,这些故事让你相信奇迹的存在。这个城市的屋顶可供你跳舞,这个城市的铜像栩栩如生,城市的诗人约瑟夫·布罗茨基可以因拍摄以他为题的一部影片焕发新生。每个短片故事都是关于爱与孤独,希望与好运的讲述。这是一场七位女性导演为涅瓦河上的城市——圣彼得堡献上的镜头盛宴。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
因为诈骗罪,约翰尼(阿尔·帕西诺 Al Pacino 饰)面临着为期一年半的牢狱之灾,出狱之后,无处可去的约翰尼被餐馆老板尼克(赫克托·埃里仲杜 Hector Elizondo 饰)收留,成为了一名厨师。餐馆的女侍应生弗兰基(米歇尔·菲佛 Michelle Pfeiffer 饰)吸引了约翰尼的目光,很快,约翰尼就对弗兰基展开了热烈的攻势。  一次美妙的约会之后,约翰尼和弗兰基共度了充满了激情的一夜,可是,第二天,弗兰基冷淡的态度无疑是一盆冷水浇在了还处于甜蜜和幸福之中的约翰尼的头上。原来,弗兰基在上一段感情之中饱受伤害,痛苦的她为了自保封闭了内心。但约翰尼并没有就此而放弃,他的温柔和耐心终于打动了弗兰基,两人终成眷属。
香料共和国 (2003) 电影
6.0分
其它/剧情片生活家庭
7岁的凡尼斯(乔治斯·科拉菲斯 Georges Corraface 饰)与家人生活在伊斯坦布尔,他的祖父拥有一家香料店,在那里,凡尼斯度过了他的童年。祖父通过类比香料的特性来教授凡尼斯关于生命、宇宙和地理的各种知识,年幼的凡尼斯还爱上了与他一起玩耍的土耳其女孩,姗美。然而不久后,政治的暴乱破坏了美满的家庭,凡尼斯和父母因持有希腊国籍而被驱逐出镜,迁往雅典,身为土耳其公民的祖父则得以留下。时光飞逝,不惑之年的凡尼斯已经成为了一名天文学教授,备受尊重,但他却觉得生活中充满迷茫,似乎总是缺少那么一点香料。离开家乡的35年来,他依然渴望着回到儿时的故乡,渴望着再见到那个美好的女孩……  本片根据编剧、导演Tassos Boulmetis的真实经历改编。
一位身败名裂的联邦调查局探员,被停职,在失去母亲的痛苦中挣扎,来到了她小时候常去的小山村。她得到了一个特殊需要的男孩的朋友,他拥有非凡的天赋,通过他坚不可摧的精神和独特的人生观治愈他人。虽然她很受伤,但她开始透过他的眼睛看到拼图的碎片。
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