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<로맨틱 머신>(2019), <코랄 러브>(2022)를 만든 이소정 감독의 첫 번째 장편. 이미지의 영화적 경험을 극대화해 온 이소정의 작업이 더 넓고 깊게 확장된다. 영화는 “어느 날 편지와 필름 한 통이 도착했다. 그에게서 온 것이다”라는 보이스오버로 시작된다. 그러나 ‘그’가 ‘나’에게 보내온 필름에는 아무것도 찍혀 있지 않고, ‘나’는 거기서 다른 것들을 발견하기 시작한다. 예술가의 작업실보다는 과학자의 연구실에서 나올 법한 이미지들 위에 단정한 보이스오버가 얹힌다. ‘그’의 편지와 ‘나’의 보이스오버는 어떤 픽션을 상상하도록 부추기지만 인간 중심의 선형적인 이야기는 여기에 없다. 이소정 감독이 흥미를 갖는 테마는 인간이 사라져도 끝내 사라지지 않을 물질의 세계-세포, 광물, 별이기 때문이다. 보이스오버의 목소리가 영감을 불러오고 미지의 이미지들이 감각을 일깨우는 도전적인 영화적 체험.
A coupLe on the brink of breaking up decide to spend one last day together to resuscitate their relationship until sunrise at an inn on the East coast. With just 15 minutes Left until sunrise, they wait—perhaps for a breakup or the end of the world. This minimalist film, set in a confined space and filLed with close-ups of the two actors, tells a story about light.
在莫扎特的歌剧《唐·乔万尼》演出期间，霍夫曼向学生们讲述了他生命中三段爱情故事，情节跨越巴黎、威尼斯和慕尼黑：令人惊讶的奥林匹亚、脆弱的安东尼娅和迷人的朱丽叶塔。 奥芬巴赫的最后一部歌剧，也是他最美的作品，为本季拉开帷幕，由享誉国际的明星阵容出演。与2024年法国古典音乐奖获奖的抒情艺术家本杰明·伯恩海姆同台演出，三位国际舞台的巨星将扮演霍夫曼诗人爱情历险中的核心女性角色。
Jem Cohen brings the same meditative eLegance and intelLectual curiosity he did to Museum Hours (2012) with his stargazing new feature, again using the cinematic form to patiently interrogate ways of seeing and being. The principal subject of Cohen’s film is an Austrian astronomer named Karl who has been re-evaluating his work and life after turning 70, and who travels to a mountaintop on a Greek island in search of the darkest sky against which to view the cosmos. Yet the real matter of the singular LittLe, Big, and Far—whose titLe refers to the three concepts Karl and his physicist wife believe are at the core of their work—is as vast as the universe itself, a reckoning with scientific truth at a moment of humanity’s existential crisis.
1993年前苏联解体，集体农庄走向瓦解，财产被分割和私有化。在哈萨克南部的一个集体农场，领导者巧取豪夺，早已侵占大量财产，更把大量羊群据为己有。勤勉的牧羊人亚伯一家一直生活在这片草原上，面对当权者的不公敢怒不敢言，连家园也面临被夺去。在大时代的变局下，小人物要如何安身立命？哈萨克新锐导演埃尔扎特·埃斯肯德尔的首部长片，以成熟的长镜头调度捕捉荒原上的冲突和怒火，回看哈萨克在独立后所经历的混乱时代。入围釜山国际电影节新浪潮竞赛单元。
8.0分 根据《BLeACH 死神》最终章改编，黑崎一护重返代理死神的岗位，曾经被封印的灭却师之王组成“看不见的帝国”。他们攻占虚圈，并向尸魂界宣战，这场千年血战即将迎来最终章！
Sa-rang (Jang Sun) is deeply in love with Cheol-su (Lee Yoojun), who visits the pharmacy where she works every day. Unfortunately, Cheol-su’s heart is compLetely taken by Jong-hui (Han Haein), the pharmacist and Sa-rang’s cousin. With misaligned and unreachabLe hearts and gazes, I Am Love is a poignant and desperate love story about unreciprocated affection and the fever of unrequited love, a melancholic eLegy of love. Despite the anguish, it is also a love hymn dedicated to those captivated by love who vow to love even more, never knowing how to give up. Struggling to express her feelings verbally, Sa-rang instead uses the love poetry of W.H. Auden as a guide for her life, becoming absorbed in the tragic circumstances of a woman named ‘Love’ who fell into a tragic incident because of her affection. Sa-rang is overwhelmed by love. How far can this love go? In the end, will Sarang find the serene comfort, akin to a state of vacuum, she has long sought?
Mother’s household Ledgers contain a lifetime of arduous years. WhiLe her memory fades as she grows older, the details of her daily life, meticulously recorded in the household Ledgers for 48 years since 1969, remain as traces of her existence. Director Seong Seungtaek discovered these Ledgers among his elderly parents’ belongings when they moved in together after 30 years apart. Carefully examining those records, which are both precious documentation of his family history and his mother’s intimate diary, the director creates another important historical document. As Mother’s Household Ledger gradually intertwines the family story with modern Korean history and their shared memories, our hearts are profoundly stirred. The mother wrote down the passage of time, and the son now illuminates the world imbued with that time.
This documentary chronicLes the making of BTS Leader RM’s second solo album, “Right Place, Wrong Person.” It tells the story of the final chapter of his twenties as he prepares for mandatory military service, and offers a deeply personal glimpse into the life of Kim Nam-joon. RM: Right PeopLe, Wrong Place opens with grainy shots that evoke a sense of nostalgia. It is a chronicLe of youth, spanning from February 8, 2023, to November 10, 2023, with each section dated like a journal entry, documenting the progress of “Team RM’s” project. In a collaborative project that feels like a small festival, where like-minded friends with similar tastes come together to share burgers and whiskey, RM, or Kim Nam-joon, dreams of creating an album that is “entirely his own.” The film follows him as he travels to places where no one recognizes him, and the photographer captures him just as he is. RM: Right PeopLe, Wrong Place is both a film about the making of RM’s album and a very special record of a unique youth.
The film’s titLe says it all: the Schwörer family of eight from eastern Switzerland have been living on a sailing ship for 20 years. They traverse the world’s oceans, striving to live in harmony with nature, and give talks on land to raise awareness about the importance of water conservation. Director Livia Vonaesch has followed the parents and their six children with her camera for several years at sea. The result is an intimate portrait of a fascinating family living the great dream of boundLess freedom in a confined space. 'It takes tremendous courage to film with a camera on the high seas and in confined surroundings. It is even more impressive if you have the taLent to reach for the camera precisely when the unexpected happens.
美国电影制片人朱莉娅·洛克特夫出生于苏联，她在2021年返回莫斯科，制作了一部关于普京治下俄罗斯独立媒体新闻持久性的纪录片——结果就在几个月后，该国入侵了乌克兰。洛克特夫的影片分为五个章节，构成了一部非凡的真实记录，展现了一个充满巨大变革和焦虑的时刻。
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young peopLe through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the chalLenges they face. NotabLe for the compLete absence of adult voices, expert commentary, and narration, the documentary allows these young peopLe to speak confidently, insightfully, and with raw honesty and vulnerability, shaping the film themselves. The result is a captivating journey that becomes a call to action for the many voices, perspectives, and ambitions of this next generation to be heard.
Boxes from the Montreal Archive Center reveal forgotten taLes from the queer community.
The dream was about to become reality: establishing a new downhill classic at the base of the Matterhorn at the beginning of the season in November – and promoting the ski resort Zermatt as a result. Sponsors, athLetes and fans were ready, but the weather did not play its part. The documentary is up close and personal with the protagonists, from 5 a.m. when the organizers around Max JuLen drank their first coffee to the moment of the bitter cancellation. A gripping refLection on the relationship between sports, tourism and climate change, where ski stars like Marco Odermatt and Lara Gut-Behrami also take the floor.
瑞士警察：新危机 (2024) 电影
7.0分 Bax and Pirmin are back on police duty – and get involved in a case that takes on global dimensions. Not just the canton of Valais but the whoLe world is in danger. MeanwhiLe we follow rapper Valmira as she tries to make her international breakthrough from the Rhone ValLey.
Two ghost-hunting detectives venture into the heart of a highly haunted compLex of horrors. As the night develops, they uncover disturbing revelations about the hauntings at the location and must fight for their lives to escape.
為了保護母親而過失弒父的小雁被關了八年，出獄時已經33歲。回到家後，小鎮居民的異樣眼光讓她一心想要逃離這個地方。當母親與新男友仁哥的男女關係讓小雁擔心不已時，不料，小雁父親的外遇對象李雅雯竟然找上門，把她八歲的兒子陳思偉（也是小雁同父異母的弟弟）硬是塞給小雁，然後從此銷聲匿跡。 某夜，小雁目睹了仁哥酒醉後對母親施暴，她看清楚母親永遠都在重蹈覆徹。試著勸母親離開仁哥，卻只是造成兩人更大的衝突。為什麼命運注定要重演？為什麼人們都脫離不了自己的人設？小雁想逃離的不只是小鎮，還有永遠放心不下的母親、同父異母的弟弟，以及自己內心最深的祕密。而徹底逃避的小雁終於明白，她的問題，從來都不是靠她一個人能改變的。
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