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在汤米·贾维斯(Tommy Jarvis)把杰森炼锁在水晶湖底多年之后，一位有特异功能的年青人又不小心把杰森放了出来，杰森于是又回到了水晶湖营地重操旧业。
Filmed live on stage at the Pantages Theatre in Hollywood, CA, this not-to-be-missed high energy show stars Original Broadway cast members Jeremy Jordan as Jack Kelly, Kara Lindsay as Katherine, Ben Fankhauser as Davey and Andrew Keenan-Bolger as Crutchie. They're joined by North American Tour stars Steve Blanchard as Joseph Pulitzer, and Aisha de Haas as Medda Larkin, and Ethan Steiner as Les along with members of both the Broadway and North American Tour ensembles, filLing the stage with more newsies and more dancing than ever before. Set in New York City at the turn of the century and based on a true story, Newsies is the rousing tale of Jack Kelly, a charismatic newsboy and leader of a ragged band of teenaged 'newsies,' who dreams only of a better life far from the hardship of the streets. But when publishing titans Joseph Pulitzer and William Randolph Hearst raise distribution prices at the newsboys' expense, Jack finds a cause to fight for and rallies newsies from across the city to strike and take a stand for what's right.
Javier and Felipe are now full-time parents to their daughters. However, the fathers discover the girls are missing something a mother. To find her, they invite their girlfriends on vacation with a secret plan.
In a zombie-infested Australian wasteland, soldier Rhys has dedicated his life to tracking and capturing survivors for the Surgeon General in hopes of finding a cure.
《圣彼得堡，我爱你》讲述了发生在一座真实且生机勃勃的城市里的七段故事，这些故事让你相信奇迹的存在。这个城市的屋顶可供你跳舞，这个城市的铜像栩栩如生，城市的诗人约瑟夫·布罗茨基可以因拍摄以他为题的一部影片焕发新生。每个短片故事都是关于爱与孤独，希望与好运的讲述。这是一场七位女性导演为涅瓦河上的城市——圣彼得堡献上的镜头盛宴。
艾瑞克（约翰·马特森 Johan Matton 饰）是一名作家，有一个固定的伴侣乔娜（Linnea Larsdotter 饰），两人之间的感情十分深厚。艾瑞克和乔娜踏上了前往泰国的旅途，然而这段本该充满了欢乐和幸福的旅程却被争吵与悲伤所代替。一气之下，艾瑞克和乔娜决定分头行动。 在旅途中，乔娜邂逅了名为大卫（埃姆雷斯·库珀 Emrhys Cooper 饰）的男子，大卫曾是乔娜青梅竹马的玩伴，这意外的重逢让乔娜回忆起了过去的往事。那边厢，艾瑞克遇见了三个背包客杰米（Timothy-Ryan O'Kane 饰）、塞西尔（Elly Han 饰）和米兰达（Astrea Campbell-Cobb 饰），四人结伴而行。在分开的这段时间里，发生的种种意外让艾瑞克和乔娜开始重新思考起了他们两人之间的关系。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of BLind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
2007年波哥大电影节最佳哥伦比亚影片奖 2008年卡塔赫纳电影节最佳哥伦比亚影片奖 2008年利马拉丁美洲电影节观众奖第二名 2007年圣塞巴斯蒂安国际电影节平线评审特别奖 根据马里奥·门多萨（Mario Mendoza）的同名心理惊悚小说改编的作品《魔鬼：杀手档案》（Satanás），由哥伦比亚新人导演Andres Baiz执导，成为去年的电影热门。小说本身是基于1986年发生在哥伦比亚首都波哥大的“Pozzetto大屠杀”- 一个越战退伍士兵杀死29个大部分并不相识的陌生人、然后自杀的事件为原型（维基百科词条里写的是共有30名死者，而杀手乃被警方打死）。 影片讲述了3组不同的人物的故事：一个杀死自己三个孩子的母亲和一位想忠于上帝的神父；被迫沦为妓女的宝拉；一位曾是越战士兵的英语老师与她的女学生纳塔莉娅... 在被他们内心的恐惧、欲望、痛苦，以及外界的诱惑所笼罩的世界中，他们都在挣扎着在寻找爱、救赎，和第二次机会... 不过最后，他们的自私、不安全感还是导致了他们最终的堕落...
阿德里安（Grégoire Leprince-Ringuet 饰）是一个学习钢琴已有15年之久的天才钢琴家，可是在梦寐以求的伯恩斯坦钢琴大赛上他功败垂成，人生跌落谷底。经过一段时间调整，阿德里安重新振作，成为了一名盲人钢琴调音师。事实上他只是带上了隐形眼镜，这会让别人认为他听觉方面更加敏锐，并由此得到更多的同情和消费，甚至还会窥视到别人的生活与隐私，他兀自沉浸在这种虽处闹市又仿佛置身世外的超然之中。某天，他来到一户人家工作，殊不知这里刚刚发生一起凶案…… 本片荣获2011年卢纹（Leuven）国际电影节最佳短片奖、2012年法国恺撒奖最佳短片奖。
羞涩内向的15岁高中生戴维•莱斯（Max Thieriot 饰）拥有灰暗的童年，母亲在他5岁时离家出走，父亲则粗暴蛮横，他在学校里还经常受到同学的捉弄。某天，他不慎跌入冰窟中，却由此发现自己拥有心灵传输的神奇能力。这项能力可以让戴维凭借想象瞬间从一个地方转移到另一个地方，地与地之间从此没有障碍。 在此之后，戴维离开家独自居住，并利用这段时间学习掌握心灵传输的技术，而他首要目标锁定在抢银行上。多年后，戴维（Hayden Christensen 饰）因此过上随心所欲、养尊处优的自在生活。然而他的好日子即将走到尽头，一个名叫“游侠”的神秘组织专门追踪具有心灵传输能力的异能者。戴维成了被追击的对象……
A couple of Italo-American journalists go missing during their work assignment in Romania.
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